Refined by:
- Editor: John R. Welsh (x)
- Genre
- Publication date
- 0000s (1514)
- Subject heading
- Time period
- Antebellum Period (602)
- Civil War and Early Reconstruction (602)
- Holding Institution
- Simms Initiatives (602)
- Place of printing
- Columbia, SC (602)
- Place of publication
- Columbia, SC (602)
- Setting
- Caribbean Sea (84)
- Edisto River (15)
- Florida (56)
- Georgia (22)
- Germany (83)
- Madison, GA (16)
- Montgomery, AL (16)
- New Orleans, LA (10)
- New York, NY (58)
- North Carolina Mountains (101)
- South Carolina (67)
- Sullivan's Island, SC (27)
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Acknowledgments PageU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
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Acknowledgments Page VersoU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Appendix: Word DivisionU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Author's AdvertisementU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Author's AdvertisementU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Back CoverU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Back CoverU of South Carolina P | 1974 Stories and Tales is Volume V of the
University of South Carolina’s Centennial
Edition of the writings of William Gilmore Simms[1]. This volume contains fifteen stories and
tales, chronologically presented, collecting writings from all phases of
Simms’s career. [2] Simms wrote short fiction, often of wildly
inconsistent quality, throughout his long career; his best fiction was praised
by Poe, while his poorer fiction was often self-consciously born out of
economic necessity[3]. Simms published his short fiction widely both
in a variety of periodicals and multiple book-length ... |
![]() |
Back Cover RectoU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Back Cover RectoU of South Carolina P | 1974 Stories and Tales is Volume V of the
University of South Carolina’s Centennial
Edition of the writings of William Gilmore Simms[1]. This volume contains fifteen stories and
tales, chronologically presented, collecting writings from all phases of
Simms’s career. [2] Simms wrote short fiction, often of wildly
inconsistent quality, throughout his long career; his best fiction was praised
by Poe, while his poorer fiction was often self-consciously born out of
economic necessity[3]. Simms published his short fiction widely both
in a variety of periodicals and multiple book-length ... |
![]() |
Back Dust JacketU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Back Dust Jacket Inside FlapU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Copyright PageU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Copyright PageU of South Carolina P | 1974 Stories and Tales is Volume V of the
University of South Carolina’s Centennial
Edition of the writings of William Gilmore Simms[1]. This volume contains fifteen stories and
tales, chronologically presented, collecting writings from all phases of
Simms’s career. [2] Simms wrote short fiction, often of wildly
inconsistent quality, throughout his long career; his best fiction was praised
by Poe, while his poorer fiction was often self-consciously born out of
economic necessity[3]. Simms published his short fiction widely both
in a variety of periodicals and multiple book-length ... |
![]() |
CoverU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
CoverU of South Carolina P | 1974 Stories and Tales is Volume V of the
University of South Carolina’s Centennial
Edition of the writings of William Gilmore Simms[1]. This volume contains fifteen stories and
tales, chronologically presented, collecting writings from all phases of
Simms’s career. [2] Simms wrote short fiction, often of wildly
inconsistent quality, throughout his long career; his best fiction was praised
by Poe, while his poorer fiction was often self-consciously born out of
economic necessity[3]. Simms published his short fiction widely both
in a variety of periodicals and multiple book-length ... |
![]() |
Cover VersoU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Cover VersoU of South Carolina P | 1974 Stories and Tales is Volume V of the
University of South Carolina’s Centennial
Edition of the writings of William Gilmore Simms[1]. This volume contains fifteen stories and
tales, chronologically presented, collecting writings from all phases of
Simms’s career. [2] Simms wrote short fiction, often of wildly
inconsistent quality, throughout his long career; his best fiction was praised
by Poe, while his poorer fiction was often self-consciously born out of
economic necessity[3]. Simms published his short fiction widely both
in a variety of periodicals and multiple book-length ... |
![]() |
Dedication PageU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Emendations and Textual Notes: As Good as a ComedyU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |
![]() |
Emendations and Textual Notes: As Good as a ComedyU of South Carolina P | 1972 As Good as a Comedy and Paddy McGann are two short novels that
reveal Simms’s talents as a comedic writer. While other works, like Border
Beagles, contain humorous sections or characters, these two works stand out
as sustained comedic successes. In these, Simms shows an understanding of
and skill at utilizing the tropes of frontier humor, popularized by the likes
of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as
social commentary that foreshadowed the work of Twain. While each was
published previously, they were published together in one volume in 1972, ... |