Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...