Wlliam Gilmore Simms
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  • Publication date: 1840s (x)
  • Creator: Anonymous [William Gilmore Simms] (x)
  • Places of publication: New York, NY (x)
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      Castle Dismal; or, The Bachelor

      Castle Dismal; or, The Bachelor's Christmas

      Novella | Burgess, Stringer & Co. | 1844
                  A gothic tale of ghosts, infidelity, murder, and love, Castle Dismal follows the protagonist Ned Clifton, a “veteran bachelor” who fears the bonds of marriage, in his holiday visit to the home of married friends.  Set during the Christmas season in South Carolina, Simms’s story illustrates the southern custom of bringing together family around a table to feast; and while Clifton eventually marries Elizabeth Singleton—freeing him from the “melancholy dependencies of bachelorism”—Simms subverts naïve nineteenth-century notions of marriage and domesticity.[1]  Marked ...
      Confession; or, The Blind Heart. A Domestic Story.

      Confession; or, The Blind Heart. A Domestic Story.

      Novel (Romance) | Lea and Blanchard | 1841
                  Building out of his early experiences with writing in the psychological gothic mode in such texts as Martin Faber (1833) and Carl Werner (1838) and anticipating his later work Castle Dismal (1844), William Gilmore Simms published Confesssion; or, The Blind Heart in 1841.  Coming at the front of what many consider to be the author’s most productive period, this novel is the extended confession of Edward Clifford who is orphaned at a young age and sent to be reared by his aunt and uncle in Charleston.  Rising above his foster parents’ scorn, Clifford becomes a lawyer, a prominent citizen, ...
      Count Julian; or, The Last Days of the Goth

      Count Julian; or, The Last Days of the Goth

      Novel (Romance) | William Taylor & Co. | 1845 - 1846
                      While generally considered to be one of Simms’s weakest novels, Count Julian; or, the Last Days of the Goth provides one of the most intriguing textual histories of any of the author’s numerous works.  Conceived as a sequel to Simms’s 1838 novel Pelayo, Count Julian continues Simms’s fictional treatment of Medieval Spain, dramatizing the legendary betrayal of Julian, Count of Cueta, an act that helped lead to the Muslim conquest of Iberia.  The work suffered from multiple delays in both composition and publication and was not published until 1845 or 1846, more ...