Charleston: The Palmetto City is a 1976 pamphlet republication of an essay of the same name, originally published anonymously by Simms in Harper’s New Monthly Magazine in June 1857.[1]  The pamphlet edition of this essay is a facsimile of the original Harper’s piece.  In the essay, a rare example of the author’s travel writing, Simms focused on the architecture and geography of his native city, descriptions that are complimented by detailed illustrations of many of the most significant of Charleston’s buildings and memorials.[2]  While a minor work, the essay ...

            Building out of his early experiences with writing in the psychological gothic mode in such texts as Martin Faber (1833) and Carl Werner (1838) and anticipating his later work Castle Dismal (1844), William Gilmore Simms published Confesssion; or, The Blind Heart in 1841.  Coming at the front of what many consider to be the author’s most productive period, this novel is the extended confession of Edward Clifford who is orphaned at a young age and sent to be reared by his aunt and uncle in Charleston.  Rising above his foster parents’ scorn, Clifford becomes a lawyer, a prominent citizen, ...

         One of Simms’s minor works, the epistolary novella, Flirtation at the Moultrie House, presents an interesting picture of society life in mid-century Charleston.  Mary Ann Wimsatt notes that Flirtation, published as a pamphlet in 1850 by Edward C. Councell of Charleston, shows Simms’s “growing talent for brisk descriptions of city life,” while Simms biographer John C. Guilds notes the satiric success of the work:  “Not only is Flirtation of interest because it represents a type of fiction almost wholly different from that characteristically associated with the prolific ...

          Set in September of 1780, Katharine Walton is the third installment of a trilogy that follows The Partisan and Mellichampein covering the Revolution in South Carolina.[1]  While The Partisan and Mellichampe are set in the interior of the Santee and Wateree rivers, Katharine Walton  takes the reader to the city of Charleston in 1780-81 to trace the social world of South Carolina under British occupation.[2]  The city functions narratively as a “unifying center,” according to John C. Guilds, to free Katharine Walton of the “awkward shifts in action and setting ...

           One of the major American cities of the mid-19th century, Charleston was viewed by its citizens as a hub of culture and erudition equal to that of the other great cities of the time, including New York, Boston, Philadelphia, and Baltimore.  To illustrate the quality of the city’s intellectual life and literary merits, “Charleston book-seller and Reform Jewish leader Samuel Hart, Sr. proposed that Charlestonians join the trend” of putting together an anthology of writings by city residents, much as several other cities had done throughout the late 1830s.[1]  Simms, the leading ...