William Gilmore Simms published Atalantis.  A Story of the Sea: In Three Parts in the fall of 1832.  While Simms’s name does not appear anywhere on or in the text, it is unlikely that he sought any type of anonymity in its publication.  Within weeks of its appearing in print a reviewer in the Charleston Courier announced, “It is attributed to the pen of our fellow-townsman, William Gilmore Simms, Esq.…”[1]  Even without such prompting anyone familiar with Simms’s work would have quickly recognized his authorship, because the opening sonnet was one that he had previously ...

            William Gilmore Simms’s ultimate ambition for his collected poetical works titled Poems: Descriptive, Dramatic, Legendary, and Contemplative was limited to posterity.  Unlike most of his literary efforts, it was not a money-making operation.  He wrote his friend B.F. Perry in January 1852, “my hope & expectation are not profit.  I seek only to put myself fully on record for the future.”  Remarkably, Simms went on to explain this bid for future acclaim:  “I regard my career as pretty well over, and wish now to revise and make myself as worthy as possible in the eyes ...

            Southern Passages and Pictures is a volume of poetry by William Gilmore Simms, although his name is not mentioned directly on the title page. The work announced its author simply as the writer of “Atalantis,” “The Yemassee,” “Guy Rivers,” and “Carl Werner,” perhaps assuming that readers would know Simms in association with his authorship of these well-read works.  The volume was published in December of 1838 by George Adlard, who also published Carl Werner on Simms’s behalf.  Craighead and Allen were the Printers. Although Southern Passages and Pictures was published ...