By the late 1830s, Simms’s reputation and fame were on a steady rise; on the strength of romances like The Yemassee and The Partisan, Simms was widely regarded as one of antebellum America’s finest writers.  At this point, the always self-conscious novelist made one of the more curious decisions of his literary career by reworking a piece of verse-drama juvenilia into the novel Pelayo:  A Story of the Goth, published in two volumes by Harper & Brothers of New York in 1838.  In writing Pelayo, Simms left the romantic epics of America’s history and frontier on which ...

            Believing it “necessary to the public man, as to the pupil,” Simms undertook The History of South Carolina explicitly for the education of the state’s young people, so as to tell them the vibrant history of the state and the distinguished accomplishments of her leaders.[1]  There is evidence to suggest that Simms was particularly motivated to write such a history in order to provide an historical account of South Carolina and notable South Carolinians, to his eldest child Augusta, who was attending boarding school in Massachusetts in the late 1830s.[2]  Simms seemingly ...

           For Simms, it was in a time “when chivalry was at its lowest condition in Christian Europe,” that the Chevalier Bayard provided the world, “the happiest illustration, in a single great example, of its ancient pride and character,” and “the most admirable model to the generous ambition of the young that we find in all the pages of history.”[1]  Simms wrote The Life of Chevalier Bayard, a biography of the late-medieval French knight, to serve as an archetype of virtue for Americans.  In 1845, Simms had written two articles on Bayard for Southern and Western[2], and ...