Wlliam Gilmore Simms
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    U of South Carolina P | 1969
               Judging by a letter he wrote to his friend Evert Augustus Duyckinck in December 1868, William Gilmore Simms considered Voltmeier, his forthcoming Mountain Romance, to be, “in some respects, one of the most remarkable books I have ever written,” and “among the most excellent of my prose writings.”[1]  Part of the Border Romance series, the novel was inspired by the story of the infamous Allen Twitty, “a highly respected member of a prominent family noted for public service,” whose indictment and sensational trials for counterfeiting between 1805 and 1815 became a cause célèbre ...
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    Back Dust Jacket Inside Flap

    U of South Carolina P | 1972
                As Good as a Comedy and Paddy McGann are two short novels that reveal Simms’s talents as a comedic writer.  While other works, like Border Beagles, contain humorous sections or characters, these two works stand out as sustained comedic successes.  In these, Simms shows an understanding of and skill at utilizing the tropes of frontier humor, popularized by the likes of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as social commentary that foreshadowed the work of Twain.  While each was published previously, they were published together in one volume in 1972, ...
    Back Dust Jacket Inside Flap

    Back Dust Jacket Inside Flap

    U of South Carolina P | 1969
               Judging by a letter he wrote to his friend Evert Augustus Duyckinck in December 1868, William Gilmore Simms considered Voltmeier, his forthcoming Mountain Romance, to be, “in some respects, one of the most remarkable books I have ever written,” and “among the most excellent of my prose writings.”[1]  Part of the Border Romance series, the novel was inspired by the story of the infamous Allen Twitty, “a highly respected member of a prominent family noted for public service,” whose indictment and sensational trials for counterfeiting between 1805 and 1815 became a cause célèbre ...
    Checklist of Pseudonymous Correspondence in the Charleston Mercury

    Checklist of Pseudonymous Correspondence in the Charleston Mercury

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Checklist of Pseudonymous Correspondence in the Charleston Mercury

    Checklist of Pseudonymous Correspondence in the Charleston Mercury

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Contents

    Contents

    The University of Arkansas Press | 1996
             Poetry and the Practical was published in 1996 by The University of Arkansas Press as part of The Simms Series.  Edited with an introduction and notes by James Everett Kibler Jr., the book contains a lecture written by Simms between the years of 1851-54, which expanded from one to three parts.  Kibler summarizes the lecture as “a clear, forceful, inspired defense of poetry against those who would relegate it to the margins of life.”[1]  In a 12 November 1850 letter to Evert Augustus Duyckinck, Simms made first mention of the lecture: “I recieve [sic] another application for a public Lecture ...
    Contents

    Contents

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Contents Verso

    Contents Verso

    The University of Arkansas Press | 1996
             Poetry and the Practical was published in 1996 by The University of Arkansas Press as part of The Simms Series.  Edited with an introduction and notes by James Everett Kibler Jr., the book contains a lecture written by Simms between the years of 1851-54, which expanded from one to three parts.  Kibler summarizes the lecture as “a clear, forceful, inspired defense of poetry against those who would relegate it to the margins of life.”[1]  In a 12 November 1850 letter to Evert Augustus Duyckinck, Simms made first mention of the lecture: “I recieve [sic] another application for a public Lecture ...
    Contents Verso

    Contents Verso

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Copyright Page

    Copyright Page

    U of South Carolina P | 1972
                As Good as a Comedy and Paddy McGann are two short novels that reveal Simms’s talents as a comedic writer.  While other works, like Border Beagles, contain humorous sections or characters, these two works stand out as sustained comedic successes.  In these, Simms shows an understanding of and skill at utilizing the tropes of frontier humor, popularized by the likes of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as social commentary that foreshadowed the work of Twain.  While each was published previously, they were published together in one volume in 1972, ...
    Copyright Page

    Copyright Page

    U of South Carolina P | 1969
               Judging by a letter he wrote to his friend Evert Augustus Duyckinck in December 1868, William Gilmore Simms considered Voltmeier, his forthcoming Mountain Romance, to be, “in some respects, one of the most remarkable books I have ever written,” and “among the most excellent of my prose writings.”[1]  Part of the Border Romance series, the novel was inspired by the story of the infamous Allen Twitty, “a highly respected member of a prominent family noted for public service,” whose indictment and sensational trials for counterfeiting between 1805 and 1815 became a cause célèbre ...
    Copyright Page

    Copyright Page

    U of South Carolina P | 1974
               Stories and Tales is Volume V of the University of South Carolina’s Centennial Edition of the writings of William Gilmore Simms[1].  This volume contains fifteen stories and tales, chronologically presented, collecting writings from all phases of Simms’s career. [2]  Simms wrote short fiction, often of wildly inconsistent quality, throughout his long career; his best fiction was praised by Poe, while his poorer fiction was often self-consciously born out of economic necessity[3].  Simms published his short fiction widely both in a variety of periodicals and multiple book-length ...
    Copyright Page

    Copyright Page

    The University of Arkansas Press | 1996
             Poetry and the Practical was published in 1996 by The University of Arkansas Press as part of The Simms Series.  Edited with an introduction and notes by James Everett Kibler Jr., the book contains a lecture written by Simms between the years of 1851-54, which expanded from one to three parts.  Kibler summarizes the lecture as “a clear, forceful, inspired defense of poetry against those who would relegate it to the margins of life.”[1]  In a 12 November 1850 letter to Evert Augustus Duyckinck, Simms made first mention of the lecture: “I recieve [sic] another application for a public Lecture ...
    Copyright Page

    Copyright Page

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Cover

    Cover

    U of South Carolina P | 1972
                As Good as a Comedy and Paddy McGann are two short novels that reveal Simms’s talents as a comedic writer.  While other works, like Border Beagles, contain humorous sections or characters, these two works stand out as sustained comedic successes.  In these, Simms shows an understanding of and skill at utilizing the tropes of frontier humor, popularized by the likes of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as social commentary that foreshadowed the work of Twain.  While each was published previously, they were published together in one volume in 1972, ...
    Cover

    Cover

    U of South Carolina P | 1974
               Stories and Tales is Volume V of the University of South Carolina’s Centennial Edition of the writings of William Gilmore Simms[1].  This volume contains fifteen stories and tales, chronologically presented, collecting writings from all phases of Simms’s career. [2]  Simms wrote short fiction, often of wildly inconsistent quality, throughout his long career; his best fiction was praised by Poe, while his poorer fiction was often self-consciously born out of economic necessity[3].  Simms published his short fiction widely both in a variety of periodicals and multiple book-length ...
    Cover

    Cover

    The University of Arkansas Press | 1996
             Poetry and the Practical was published in 1996 by The University of Arkansas Press as part of The Simms Series.  Edited with an introduction and notes by James Everett Kibler Jr., the book contains a lecture written by Simms between the years of 1851-54, which expanded from one to three parts.  Kibler summarizes the lecture as “a clear, forceful, inspired defense of poetry against those who would relegate it to the margins of life.”[1]  In a 12 November 1850 letter to Evert Augustus Duyckinck, Simms made first mention of the lecture: “I recieve [sic] another application for a public Lecture ...
    Cover

    Cover

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Cover

    Cover


              William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
    Cover Verso

    Cover Verso

    U of South Carolina P | 1972
                As Good as a Comedy and Paddy McGann are two short novels that reveal Simms’s talents as a comedic writer.  While other works, like Border Beagles, contain humorous sections or characters, these two works stand out as sustained comedic successes.  In these, Simms shows an understanding of and skill at utilizing the tropes of frontier humor, popularized by the likes of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as social commentary that foreshadowed the work of Twain.  While each was published previously, they were published together in one volume in 1972, ...
    Cover Verso

    Cover Verso

    U of South Carolina P | 1974
               Stories and Tales is Volume V of the University of South Carolina’s Centennial Edition of the writings of William Gilmore Simms[1].  This volume contains fifteen stories and tales, chronologically presented, collecting writings from all phases of Simms’s career. [2]  Simms wrote short fiction, often of wildly inconsistent quality, throughout his long career; his best fiction was praised by Poe, while his poorer fiction was often self-consciously born out of economic necessity[3].  Simms published his short fiction widely both in a variety of periodicals and multiple book-length ...
    Cover Verso

    Cover Verso

    1856
             The Power of Cotton is a pamphlet published by Chatterton & Brother of New York in 1856.  The work claims to be a paper read in New York in November 1856.  The only known copy of the paper had been in the possession of Theodore Parker, the most prominent Unitarian and Transcendentalist minister in the northeast in 1856.  The work was bequeathed to the public library of the city of Boston from the Parker estate on 30 October 1864, four years after Parker’s passing.  On both the cover and title page, the precise location of the reading and the author’s name were both removed ...
    Cover Verso

    Cover Verso

    The University of Arkansas Press | 1996
             Poetry and the Practical was published in 1996 by The University of Arkansas Press as part of The Simms Series.  Edited with an introduction and notes by James Everett Kibler Jr., the book contains a lecture written by Simms between the years of 1851-54, which expanded from one to three parts.  Kibler summarizes the lecture as “a clear, forceful, inspired defense of poetry against those who would relegate it to the margins of life.”[1]  In a 12 November 1850 letter to Evert Augustus Duyckinck, Simms made first mention of the lecture: “I recieve [sic] another application for a public Lecture ...
    Cover Verso

    Cover Verso

    U of South Carolina P | 2012
                In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...
    Cover Verso

    Cover Verso


              William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
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