In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...

            In his lifetime, William Gilmore Simms “was the author of thirty-four works of fiction, nineteen volumes of poetry, three of drama, three anthologies, three volumes of history, two of geography, six of biography, and twelve of reviews, miscellanies and addresses, a total of eighty-two volumes.”[1]  The estimate of the output was impressive, if not quite complete.[2]  Regardless, Simms’s influence was unparalleled.  No mid-nineteenth-century writer and editor did more to frame white southern self-identity and nationalism, shape southern historical consciousness, or foster ...