Wlliam Gilmore Simms
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"Odi D

"Odi D'un Uom Che Muore."

1853
                Egeria: or, Voices of Thought and Counsel, for The Woods and Wayside was published by E.H. Butler of Philadelphia in 1853 as a collection of Simms-authored laconics written over the course of many years.[1]  Simms began composing his proverbs as early as April 1846 when he published selections of them in the Southern Patriot until April 1847 under the title, “Wayside Laconics.”  Soon afterward, Simms collected these alongside many others and sought Rufus Griswold’s assistance in locating a book publisher for the manuscript, which proved unsuccessful.  Simms then ...
"Vive Memor Lethe."

"Vive Memor Lethe."

1853
                Egeria: or, Voices of Thought and Counsel, for The Woods and Wayside was published by E.H. Butler of Philadelphia in 1853 as a collection of Simms-authored laconics written over the course of many years.[1]  Simms began composing his proverbs as early as April 1846 when he published selections of them in the Southern Patriot until April 1847 under the title, “Wayside Laconics.”  Soon afterward, Simms collected these alongside many others and sought Rufus Griswold’s assistance in locating a book publisher for the manuscript, which proved unsuccessful.  Simms then ...

''All Quiet Along the Potomac To-Night''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''I Give My Soldier Boy a Blade!''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''In His Blanket on the Ground''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Is There, Then, No Hope for the Nations?''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Libera nos, O Domine!''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Not Doubtful of Your Fatherland''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Old Betsy''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Our Left at Manassas''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Poe's Poetry'': A New Simms Essay

Reviews/Essays | [1845-10-11]
          Launched in 1993 in conjunction with the foundation of the William Gilmore Simms Society, The Simms Review touted itself as the official place of record for the Society.  In addition, the Review was the first and only academic periodical dedicated to the life and writings of the famous author.  As such, it served as a gathering place for scholars, Simms family members, and readers interested in Simms’s work.  With its 2012 issue, The Simms Review celebrated its twentieth anniversary, making it among the longest running continually-published single-author journals in the country. ...

''Rappahannock Army Song''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Reddato Gladium''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Stack Arms''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Stonewall'' Jackson

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Stonewall'' Jackson's Way

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Stonewall'' Jackson—A Dirge

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''Swallow Barn,'' Or a sojourn in the Old Dominion

O. A. Roorback | 1833
                One of Simms’s most personal works, The Remains of Maynard Davis Richardson is an editorial project the writer undertook after his good friend Richardson’s premature death at the age of 20 on 12 October 1832.  While details about their friendship remain scarce, it is known that Richardson accompanied Simms on the writer’s first trip to the North,[1] and Simms dedicated his long 1832 narrative poem Atalantis to him, referring to the younger man’s “high moral and intellectual worth” in his dedicatory note.  The families of the two men had been long acquainted ...

''The Enemy Shall Never Reach Your City''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''The Maryland Line''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''The Right to Fight''

O. A. Roorback | 1833
                One of Simms’s most personal works, The Remains of Maynard Davis Richardson is an editorial project the writer undertook after his good friend Richardson’s premature death at the age of 20 on 12 October 1832.  While details about their friendship remain scarce, it is known that Richardson accompanied Simms on the writer’s first trip to the North,[1] and Simms dedicated his long 1832 narrative poem Atalantis to him, referring to the younger man’s “high moral and intellectual worth” in his dedicatory note.  The families of the two men had been long acquainted ...

''The Southern Cross''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''There's Life in the Old Land Yet''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''What the Village Bell Said''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...

''When Peace Returns''

1866
           In his study of the role of guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that Southern authors, including William Gilmore Simms, played a significant role in promoting and advancing guerilla tactics as both a patriotic duty and a means of achieving victory; Sutherland notes that Simms had explicitly “promoted and sanctified partisan warfare.”[1]  While the author’s works about Revolutionary War figures like Thomas Sumter and Francis Marion were certainly repurposed and newly understood in the context of the Civil War, Simms wrote new poetry ...
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