Refined by:
- Publication date: 1860s (x)
- Genre
- (2673)
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- Secondary Scholarship (5)
- Short Stories (1)
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- Subject heading
- Charleston (S.C.) --History --Revolution, 1775-1783 --Fiction. (52)
- Laurens, John, 1754-1782. (69)
- South Carolina Publications -- Charleston -- Miller and Browne, 1849 (17)
- United States -- History -- Revolution, 1775-1783 -- Fiction (52)
- United States -- History -- Revolution, 1775-1783 -- Personal narratives. (69)
- Time period
- Artist
- Alexander Anderson (139)
- Alonzo Chapel (5)
- David Hunt (38)
- David Hunter Strother (38)
- F.O.C. Darley (28)
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- Thomas Hicks (1)
- William Gilmore Simms (77)
- William West (1)
- [F.O.C. Darley] (57)
- Character
- Alfred Stevens (72)
- Ben Pickett (57)
- Betsy Pickett (57)
- Bierstadt [Voltmeier] (77)
- Brown Peters (77)
- Bully George (57)
- Caraccioli (8)
- Careta (61)
- Carl Werner (8)
- Clement Foster (58)
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- David Croc (23)
- David Crockett (23)
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- Diego de Nicuesa (61)
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- Edith Colleton (28)
- Edward S. Appleby, Esq. (4)
- Felipe Davila (61)
- Fergus Wallace (77)
- Gorham, aka "Black Dog" (77)
- Guy Rivers (28)
- Harry Vernon (1)
- Helen Halsey (30)
- Henry Meadors (30)
- Herman Ottfried (8)
- Ipsistos (8)
- Jake Harness (77)
- John Cross (72)
- John Hurdis (57)
- Katharine Walton (52)
- Leonard Voltmeier (77)
- Logoochie (8)
- Lucy Munro (28)
- MIss Georgiana Appleby (7)
- Margaret Cooper (72)
- Mark Forrester (28)
- Mary Easterby (57)
- Matilda Ottfried (8)
- Matthew Webber (57)
- Micer Codro (61)
- Michael Bonham (23)
- Mignon Voltmeier (77)
- Mike Baynam (46)
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- Mowbray (30)
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- Ned Hinkley (72)
- Old Grizzly [Voltmeier] (77)
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- Wat Munro (28)
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- William Calvert (72)
- William Carrington (57)
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- Anonymous (33)
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- Anonymous [Edward Carroll] (2)
- Anonymous [Will (52)
- Anonymous [William G (8)
- Anonymous [William Gilmore Simms] (363)
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- Catherine M. Warfield (4)
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- Charleston Mercury (17)
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- William Gilmore Simms, Esq (56)
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- William Wragg Smith (1)
- [Edgar Allan Poe] (1)
- [William Gilmore Simms] (6)
- [William Shakespeare] (139)
- Dedicatee
- Charles R. Carroll, Esq. (28)
- Family, Relatives, and Friends of Maynard D. Richardson (78)
- Hon. James Hall (72)
- Hon. James K. Paulding (61)
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- Hon. John A. Grimball (57)
- Hon. W. Porcher Miles, M.C. (56)
- John Izard Mi (3)
- John Izard Middleton (23)
- My Daughter (7)
- Randell Hunt, Esq. (30)
- Rev. Alexander Dyce (139)
- The Hon. the Delegates from South Carolina, in the Congress of the United States (1)
- Editor
- Alexander Moore (280)
- Anonymous [William Gilmore Simms] (78)
- Donald Davidson (77)
- James B. Meriwether (77)
- James E. Kibler (1)
- James Everett Kibler Jr. (8)
- John Caldwell Guilds (77)
- Mary C. Simms Oliphant (357)
- Miriam Jones Shillingsburg (46)
- Rebecca Sexton (1)
- T.C. Duncan Eaves (280)
- William Gilmore Simms (6)
- William Gilmore Simms, Esq. (139)
- Wm. Gil (2)
- Wm. Gilmore (17)
- Wm. Gilmore (1)
- Wm. Gilmore Simms (69)
- Engraver
- A. H. Ritchie (1)
- Francisco de Paula Marti (1)
- John Halpin (23)
- Richardson, SC (56)
- Samuel Putna (6)
- Samuel Putnam Avery (23)
- Vicenzo Vangelisty (1)
- Whtiney & Jocelyn SC (29)
- Printer
- (1)
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- J (3)
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- J.S. Burges (78)
- Joel Munsell? (69)
- MacFarlane & Fergusson (23)
- Miller & Browne (17)
- S.W. Benedict (39)
- T.K. & P.G. Collins, Printers (109)
- Publisher
- A. Hart (52)
- Burgess, Stringer & Co. (30)
- Carey and Hart (57)
- Geo. F. Cooledge & Brother (177)
- Harper & B (3)
- Harper & Brother (2)
- Harper & Brothers (30)
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- John F. Trow & Co. (6)
- John R. Thompson (23)
- Johnson, Fry & Co. (6)
- Lea (72)
- Lea and Blanchard (133)
- O. A. Roorback (78)
- Redfield (85)
- T (1)
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- The Bradford Club (69)
- The Reprint Company (6)
- The University of Arkansas Press (54)
- Thomas W. White (1)
- U of South Carolina P (357)
- Walker & James, Publishers (1)
- Correspondent
- (1)
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- Abraham Hart (7)
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- Brantz Mayer (19)
- C. Benjamin Richardson (1)
- Carey and Hart (11)
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- Charles E. Tefft (1)
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- Edward Herrick, Jr. (1)
- Edward L. Carey (7)
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"Odi D'un Uom Che Muore."1853 Egeria: or, Voices of Thought and Counsel,
for The Woods and Wayside was published by E.H. Butler of Philadelphia in 1853
as a collection of Simms-authored laconics written over the course of many
years.[1] Simms began composing his proverbs as early
as April 1846 when he published selections of them in the Southern Patriot until April 1847 under the title, “Wayside
Laconics.” Soon afterward, Simms collected
these alongside many others and sought Rufus Griswold’s assistance in locating
a book publisher for the manuscript, which proved unsuccessful. Simms then ... |
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"Vive Memor Lethe."1853 Egeria: or, Voices of Thought and Counsel,
for The Woods and Wayside was published by E.H. Butler of Philadelphia in 1853
as a collection of Simms-authored laconics written over the course of many
years.[1] Simms began composing his proverbs as early
as April 1846 when he published selections of them in the Southern Patriot until April 1847 under the title, “Wayside
Laconics.” Soon afterward, Simms collected
these alongside many others and sought Rufus Griswold’s assistance in locating
a book publisher for the manuscript, which proved unsuccessful. Simms then ... |
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''All Quiet Along the Potomac To-Night''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
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''I Give My Soldier Boy a Blade!''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''In His Blanket on the Ground''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Is There, Then, No Hope for the Nations?''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Libera nos, O Domine!''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Not Doubtful of Your Fatherland''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Old Betsy''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
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''Our Left at Manassas''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
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''Poe's Poetry'': A New Simms EssayReviews/Essays | [1845-10-11] Launched in 1993 in conjunction with the foundation of the
William Gilmore Simms Society, The Simms
Review touted itself as the official place of record for the Society. In addition, the Review was the first and only academic periodical dedicated to the
life and writings of the famous author.
As such, it served as a gathering place for scholars, Simms family
members, and readers interested in Simms’s work. With its 2012 issue, The Simms Review celebrated its twentieth anniversary,
making it among the longest running continually-published single-author
journals in the country. ... |
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''Rappahannock Army Song''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
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''Reddato Gladium''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
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''Stack Arms''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Stonewall'' Jackson1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Stonewall'' Jackson's Way1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Stonewall'' Jackson—A Dirge1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''Swallow Barn,'' Or a sojourn in the Old DominionO. A. Roorback | 1833 One of Simms’s most personal
works, The Remains of Maynard Davis
Richardson is an editorial project the writer undertook after his good
friend Richardson’s premature death at the age of 20 on 12 October 1832. While details about their friendship remain scarce,
it is known that Richardson accompanied Simms on the writer’s first trip to the
North,[1]
and Simms dedicated his long 1832 narrative poem Atalantis to him, referring to the younger man’s “high moral and
intellectual worth” in his dedicatory note.
The families of the two men had been long acquainted ... |
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''The Enemy Shall Never Reach Your City''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''The Maryland Line''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''The Right to Fight''O. A. Roorback | 1833 One of Simms’s most personal
works, The Remains of Maynard Davis
Richardson is an editorial project the writer undertook after his good
friend Richardson’s premature death at the age of 20 on 12 October 1832. While details about their friendship remain scarce,
it is known that Richardson accompanied Simms on the writer’s first trip to the
North,[1]
and Simms dedicated his long 1832 narrative poem Atalantis to him, referring to the younger man’s “high moral and
intellectual worth” in his dedicatory note.
The families of the two men had been long acquainted ... |
![]() |
''The Southern Cross''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''There's Life in the Old Land Yet''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''What the Village Bell Said''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |
![]() |
''When Peace Returns''1866 In his study of the role of
guerilla warfare in the Civil War, historian Daniel E. Sutherland observes that
Southern authors, including William Gilmore Simms, played a significant role in
promoting and advancing guerilla tactics as both a patriotic duty and a means
of achieving victory; Sutherland notes that Simms had explicitly “promoted and
sanctified partisan warfare.”[1]
While the author’s works about
Revolutionary War figures like Thomas Sumter and Francis Marion were certainly
repurposed and newly understood in the context of the Civil War, Simms wrote
new poetry ... |