As Good as a Comedy and Paddy McGann are two short novels that reveal Simms’s talents as a comedic writer.  While other works, like Border Beagles, contain humorous sections or characters, these two works stand out as sustained comedic successes.  In these, Simms shows an understanding of and skill at utilizing the tropes of frontier humor, popularized by the likes of A.B. Longstreet’s Georgia Scenes, as well as a use of humor as social commentary that foreshadowed the work of Twain.  While each was published previously, they were published together in one volume in 1972, ...

            Though the first edition of Atalantis.  A Story of the Sea (1832) was well received by reviewers both North and South, it had only one printing.  The limited print run of just 500 copies meant that relatively few readers could enjoy the many “uncommonly strong and vigorous passages” that comprised William Gilmore Simms’s fanciful tale.[1]  Simms was early convinced that a larger readership existed and that Atalantis offered him an opportunity to increase his reputation in both the Northern states and Europe.  In 1837 he wrote to James Lawson, one of his best friends ...

          In The Major Fiction of William Gilmore Simms, Mary Ann Wimsatt argues that Border Beagles, the sequel to the scandalous Richard Hurdis, shows Simms as continuing to explore the contentious relationship between the older, civilized tidewater south and the wild trans-mountain frontier.[1]  While thus continuing a theme begun with Guy Rivers and Richard Hurdis, Border Beagles saw Simms decidedly scaling back the violence found in those two books, especially the latter.  Here, the author’s presentation of the chaos and dangers of the frontier is tempered by humor, with ...

                Egeria: or, Voices of Thought and Counsel, for The Woods and Wayside was published by E.H. Butler of Philadelphia in 1853 as a collection of Simms-authored laconics written over the course of many years.[1]  Simms began composing his proverbs as early as April 1846 when he published selections of them in the Southern Patriot until April 1847 under the title, “Wayside Laconics.”  Soon afterward, Simms collected these alongside many others and sought Rufus Griswold’s assistance in locating a book publisher for the manuscript, which proved unsuccessful.  Simms then ...

                Marie de Berniere: A Tale of the Crescent City is a collection of stories published in 1853 by Lippincott, Grambo, and Co. of Philadelphia.  In addition to the title story, the collection includes “The Maroon” and “Maize in Milk.”  Each story was published serially prior to the collection and gradually expanded from its serial version into novella form.  In a 20 June 1853 to James Henry Hammond, Simms mentioned “collecting my scattered novellettes & tales.  You have probably seen ‘Marie de Berniere &c.’ This will be followed up by other vols. of similar ...

         While one of the more obscure works in Simms’s canon, The Prima Donna:  A Passage from City Life, provides an intriguing look into his relationship with the serial publishers who published so much of his work.  It is also a noteworthy work for its content.  Biographer John C. Guilds finds that it  reflects Simms’s “interest in theater” and helps to demonstrate that the author “wrote more effectively about drama than he wrote drama itself.”[1] A brief, 24-page fiction published as a standalone book by Louis A. Godey in 1844, The Prima Donna was originally composed sometime ...