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Beauchampe; or, The Kentucky TragedyNovel (Romance) | Redfield | 1856 Early in the
morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named
Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon
P. Sharp, and stabbed him to death. The
murder was orchestrated to avenge the honor of Anna Cook[1],
Beauchamp’s wife, who as a single woman had been seduced, impregnated, and
abandoned by Sharp[2]. The event was a national sensation
immediately following its discovery and Beauchamp’s capture days later. Following Cook and Beauchamp’s failed joint
suicide attempt and the latter’s subsequent execution, ... |
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Beauchampe; or, The Kentucky Tragedy. A Tale of Passion.Novel (Romance) | Lea and Blanchard | 1842 Early in the
morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named
Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon
P. Sharp, and stabbed him to death. The
murder was orchestrated to avenge the honor of Anna Cook[1],
Beauchamp’s wife, who as a single woman had been seduced, impregnated, and
abandoned by Sharp[2]. The event was a national sensation
immediately following its discovery and Beauchamp’s capture days later. Following Cook and Beauchamp’s failed joint
suicide attempt and the latter’s subsequent execution, ... |
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Border Beagles: A Tale of MississippiNovel (Romance) | Redfield | 1855 In The Major Fiction of William Gilmore Simms,
Mary Ann Wimsatt argues that Border Beagles, the sequel to the
scandalous Richard Hurdis, shows Simms as continuing to explore the
contentious relationship between the older, civilized tidewater south and the
wild trans-mountain frontier.[1]
While thus continuing a theme begun with Guy Rivers and Richard
Hurdis, Border Beagles saw Simms decidedly scaling back
the violence found in those two books, especially the latter. Here, the
author’s presentation of the chaos and dangers of the frontier is tempered by
humor, with ... |
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Border Beagles: A Tale of MississippiNovel (Romance) | Carey and Hart | 1840 In The Major Fiction of William Gilmore Simms,
Mary Ann Wimsatt argues that Border Beagles, the sequel to the
scandalous Richard Hurdis, shows Simms as continuing to explore the
contentious relationship between the older, civilized tidewater south and the
wild trans-mountain frontier.[1]
While thus continuing a theme begun with Guy Rivers and Richard
Hurdis, Border Beagles saw Simms decidedly scaling back
the violence found in those two books, especially the latter. Here, the
author’s presentation of the chaos and dangers of the frontier is tempered by
humor, with ... |
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Charlemont; or, The Pride of the VillageNovel (Romance) | Redfield | 1856 Early in the
morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named
Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon
P. Sharp, and stabbed him to death. The
murder was orchestrated to avenge the honor of Anna Cook[1],
Beauchamp’s wife, who as a single woman had been seduced, impregnated, and
abandoned by Sharp[2]. The event was a national sensation
immediately following its discovery and Beauchamp’s capture days later. Following Cook and Beauchamp’s failed joint
suicide attempt and the latter’s subsequent execution, ... |
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Confession; or, The Blind Heart. A Domestic Story.Novel (Romance) | Lea and Blanchard | 1841 Building
out of his early experiences with writing in the psychological gothic mode in
such texts as Martin Faber (1833) and
Carl Werner (1838) and anticipating
his later work Castle Dismal (1844), William
Gilmore Simms published Confesssion; or, The Blind Heart in 1841. Coming at the front of what many consider to
be the author’s most productive period, this novel is the extended confession
of Edward Clifford who is orphaned at a young age and sent to be reared by his
aunt and uncle in Charleston. Rising
above his foster parents’ scorn, Clifford becomes a lawyer, a prominent
citizen, ... |
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Count Julian; or, The Last Days of the GothNovel (Romance) | William Taylor & Co. | 1845 - 1846 While generally considered to be
one of Simms’s weakest novels, Count
Julian; or, the Last Days of the Goth provides one of the most intriguing
textual histories of any of the author’s numerous works. Conceived as a sequel to Simms’s 1838 novel Pelayo, Count Julian continues Simms’s fictional treatment of Medieval
Spain, dramatizing the legendary betrayal of Julian, Count of Cueta, an act that
helped lead to the Muslim conquest of Iberia.
The work suffered from multiple delays in both composition and publication
and was not published until 1845 or 1846, more ... |
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EutawNovel (Romance) | Redfield | 1856
Eutaw,
published by Redfield on 19 April 1856, is the sequel to The Forayers,
and the penultimate romance in Simms's Revolutionary War saga[1]. It completes the story of the British withdrawal
from their outpost at Ninety-Six, including the battle of Eutaw Springs, the
last major engagement of the Carolina theatre, and its aftermath. Simms’s biographer John Caldwell Guilds notes
that it is necessary to understand Eutaw as a sequel, as it was “not a
new venture but the extension and completion of a scheme which kept expanding
in the author's fertile imagination.”[2] ... |
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Guy Rivers: A Tale of GeorgiaNovel (Romance) | Harper & Brothers | 1834 Guy Rivers was published by Harper & Brothers in July 1834 as the
first of Simms’s many fictional frontier writings known as the Border Romance
series. According to the author, these works were “meant to illustrate the
border & domestic history of the South.”[1] Writing to James Lawson in December
1833, Simms described the novel as “a tale of Georgia—a tale of the miners—of a
frontier and wild people, and the events are precisely such as may occur among
a people & in a region of that character.”[2] Mary Ann Wimsatt notes that Guy
Rivers established ... |
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Guy Rivers: A Tale of GeorgiaNovel (Romance) | Redfield | 1855 Guy Rivers was published by Harper & Brothers in July 1834 as the
first of Simms’s many fictional frontier writings known as the Border Romance
series. According to the author, these works were “meant to illustrate the
border & domestic history of the South.”[1] Writing to James Lawson in December
1833, Simms described the novel as “a tale of Georgia—a tale of the miners—of a
frontier and wild people, and the events are precisely such as may occur among
a people & in a region of that character.”[2] Mary Ann Wimsatt notes that Guy
Rivers established ... |
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Joscelyn: A Tale of the RevolutionNovel (Romance) | The Reprint Company | 1975, 1976 Although written and
published last among his eight Revolutionary novels in 1867, Joscelyn should be
placed first in the series chronologically, for it lays out the preliminaries
and “origins of this partisan conflict.”[1] Set in the final six months of 1775, the
romance depicts the beginnings of the Revolutionary conflict between patriots
and loyalists in the backcountries of Georgia and South Carolina. Simms mixed
historical figures, such as William Henry Drayton and Thomas Browne, with
fictional ones to illustrate the dramatic tensions and implications of the
early partisan ... |
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Joscelyn: A Tale of the RevolutionNovel (Romance) | U of South Carolina P | 1975 Although written and
published last among his eight Revolutionary novels in 1867, Joscelyn should be
placed first in the series chronologically, for it lays out the preliminaries
and “origins of this partisan conflict.”[1] Set in the final six months of 1775, the
romance depicts the beginnings of the Revolutionary conflict between patriots
and loyalists in the backcountries of Georgia and South Carolina. Simms mixed
historical figures, such as William Henry Drayton and Thomas Browne, with
fictional ones to illustrate the dramatic tensions and implications of the
early partisan ... |
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Katharine Walton; or, The Rebel of DorchesterNovel (Romance) | Redfield | 1854 Set in September of 1780, Katharine Walton is
the third installment of a trilogy that follows The Partisan and Mellichampein
covering the Revolution in South Carolina.[1] While The Partisan and Mellichampe are
set in the interior of the Santee and Wateree rivers, Katharine Walton takes
the reader to the city of Charleston in 1780-81 to trace the social world of
South Carolina under British occupation.[2] The city functions narratively as a
“unifying center,” according to John C. Guilds, to free Katharine
Walton of the “awkward shifts in action and setting ... |
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Katharine Walton; or, The Rebel of Dorchester. An Historical Romance of the Revolution in Carolina.Novel (Romance) | A. Hart | 1851 Set in September of 1780, Katharine Walton is
the third installment of a trilogy that follows The Partisan and Mellichampein
covering the Revolution in South Carolina.[1] While The Partisan and Mellichampe are
set in the interior of the Santee and Wateree rivers, Katharine Walton takes
the reader to the city of Charleston in 1780-81 to trace the social world of
South Carolina under British occupation.[2] The city functions narratively as a
“unifying center,” according to John C. Guilds, to free Katharine
Walton of the “awkward shifts in action and setting ... |
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Mellichampe: A Legend of the SanteeNovel (Romance) | Redfield | 1854 The second of eight novels in the Revolutionary War series,
William Gilmore Simms’s Mellichampe was originally published
by Harper in 1836, then revised and republished in the Redfield edition in
1854. The story follows the fictional band of Francis Marion’s partisans
in the fall of 1780 after the Battle of Camden, as they engage in guerrilla
warfare on the Santee River against loyalist and British forces. In his
advertisement to the first edition, Simms considered Mellichampe a
“Historical romance” that accurately conveyed the career of Marion[1] to the “very ... |
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Mellichampe: A Legend of the SanteeNovel (Romance) | Harper & Brothers | 1836 The second of eight novels in the Revolutionary War series,
William Gilmore Simms’s Mellichampe was originally published
by Harper in 1836, then revised and republished in the Redfield edition in
1854. The story follows the fictional band of Francis Marion’s partisans
in the fall of 1780 after the Battle of Camden, as they engage in guerrilla
warfare on the Santee River against loyalist and British forces. In his
advertisement to the first edition, Simms considered Mellichampe a
“Historical romance” that accurately conveyed the career of Marion[1] to the “very ... |
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Pelayo: A Story of the GothNovel (Romance) | Harper & Brothers | 1838 By the late 1830s, Simms’s
reputation and fame were on a steady rise; on the
strength of romances like The Yemassee and
The Partisan, Simms was widely
regarded as one of antebellum America’s finest writers. At this point, the always self-conscious
novelist made one of the more curious decisions of his literary career by
reworking a piece of verse-drama juvenilia into the novel Pelayo: A Story of the Goth,
published in two volumes by Harper & Brothers of New York in 1838. In writing Pelayo, Simms left the romantic epics of America’s history and
frontier on which ... |
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Richard Hurdis; or, The Avenger of Blood. A Tale of Alabama.Novel (Romance) | Carey and Hart | 1838 Richard Hurdis, the second of Simms’s
Border Romances (following Guy Rivers
of 1834), presents an intriguing study of the author’s development, as its
publication history illustrated Simms’s notorious sensitivity to critical
reception. Hurdis came out during a worrisome time in Simms’s life, with his
second wife, Chevillette Eliza Roach Simms, severely ill while pregnant, and
the writer’s relationship with his publisher, the Harper Brothers of New York,
souring. John C. Guilds notes that
“alternating moods of depression and optimism—lifelong traits—soon became
dominant ... |
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The Damsel of DarienNovel (Romance) | Lea and Blanchard | 1839 The Damsel of Darien was published in
two volumes in 1839. Simms first mentioned
the story to James Lawson in a 2 September 1838 letter, revealing that he
“wrote during the first part of the summer some 150 pages of a new novel &
there it sticks.”[1] Simms informed Lawson in January of 1839 that
Damsel would be published with Lea
& Blanchard of Philadelphia, who would pay $1000 for a first edition of
3,000 copies; in the meantime, Simms was busy revising the “numerous errors of
history & geography” committed while composing the first volume of the story.[2] ... |
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The Forayers; or, The Raid of the Dog-DaysNovel (Romance) | Redfield | 1855
Simms
biographer John Caldwell Guilds notes that, in 1855, Simms would "enter a
four-year period marked not by the exuberance and the surging creative force of
the young Simms, but rather by an artistic imagination tempered and refined by
maturity and experience."[1]
The first major product of this new period was The Forayers, another in
Simms's series of revolutionary romances, published by Redfield in 1855. The Forayers is concerned with the
British army's retreat from its outpost at Ninety-Six, and explores the events
leading up the Battle of Eutaw Springs in 1781; ... |
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The Kinsmen; or, the Black Riders of Congaree. A Tale.Novel (Romance) | Lea and Blanchard | 1841 William Gilmore Simms’s third novel of the Revolutionary
War (though fifth in order of plot chronology) was originally published in 1841
under the title The Kinsmen. It became an early offering as part of the
Redfield edition under its more popularly-known title The Scout in 1854. A novel
of familial conflict in the context of war and a broad-minded exploration of
patriotism across classes, The Scout
opens shortly after the Battle of Hobkirk’s Hill (aka the Second Battle of
Camden)[1] in May 1781. The action ends with the British departure
from the Star Fort at Ninety ... |
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The Lily and the Totem, or, The Huguenots in FloridaNovel (Romance) | Baker and Scribner | 1850 While it largely fell out of the
public consciousness after the author’s death, Simms’s The Lily and the Totem is one of his most intriguing works, both
because of its overall quality and its experimentation with the possibilities
of mixing history and fiction. While The Lily and the Totem is a story of
French Huguenots in sixteenth-century Florida, it is not, importantly, a
historical romance. Rather, Simms here
experimented with a new way in which to relate history—by telling history
through fictionalized narratives that fill in the gaps between what we do and
do ... |
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The Partisan: A Tale of the RevolutionNovel (Romance) | Harper & Brothers | 1835
The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s
series of romances about the Revolutionary War, though the second in the
series’ overall chronology. The Partisan was also the
first of a “trilogy” of closely-related novels within Simms’s overall
Revolutionary War saga, sharing characters and other links with Mellichampe (1836)
and Katherine Walton (1851).[1] The
novel deals with the 1780 Battle of Camden and its aftermath, especially the
guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion,
and other ... |
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The Partisan: A Romance of the RevolutionNovel (Romance) | Redfield | 1854
The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s
series of romances about the Revolutionary War, though the second in the
series’ overall chronology. The Partisan was also the
first of a “trilogy” of closely-related novels within Simms’s overall
Revolutionary War saga, sharing characters and other links with Mellichampe (1836)
and Katherine Walton (1851).[1] The
novel deals with the 1780 Battle of Camden and its aftermath, especially the
guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion,
and other ... |
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The Scout; or, the Black Riders of Congaree.Novel (Romance) | Redfield | 1854 William Gilmore Simms’s third novel of the Revolutionary
War (though fifth in order of plot chronology) was originally published in 1841
under the title The Kinsmen. It became an early offering as part of the
Redfield edition under its more popularly-known title The Scout in 1854. A novel
of familial conflict in the context of war and a broad-minded exploration of
patriotism across classes, The Scout
opens shortly after the Battle of Hobkirk’s Hill (aka the Second Battle of
Camden)[1] in May 1781. The action ends with the British departure
from the Star Fort at Ninety ... |