Wlliam Gilmore Simms
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Michael Bonham; or, The Fall of Bexar. A Tale of Texas

Michael Bonham; or, The Fall of Bexar. A Tale of Texas

Drama | John R. Thompson | 1852
           “I have also a very Texan drama unpublished in my desk,” Simms wrote to state legislator, Armistead Burt, in January 1845, “which will make a rumpus, be sure, if ever it reaches light upon the stage.”[1]  That drama, Michael Bonham, was originally published pseudonymously (by “A Southron”) in the Southern Literary Messenger from February to June 1852.  Richmond publisher, John R. Thompson, released it as a small pamphlet after its serial run in July 1852.[2]  The drama is based on James Butler Bonham, a South Carolina native and lieutenant in the Texas Calvary, who died ...
Norman Maurice; or, The Man of the People.  An American Drama in Five Acts.

Norman Maurice; or, The Man of the People. An American Drama in Five Acts.

Drama | John R. Thompson | 1851
                Throughout his long career, Simms was regularly concerned with theatre, though drama would always be the genre with which he had the least commercial and critical success.  Norman Maurice; or,The Man of the the People is perhaps Simms’s best dramatic work, though its failings are typical of his theatrical frustrations.  Norman Maurice was a lofty experiment, mixing contemporary politics with common language presented in the format of the Elizabethan tragedy.  Written in strict blank verse, Norman Maurice is a play in which the Constitutional and slavery questions that ...
Norman Maurice; or, The Man of the People.  An American Drama.

Norman Maurice; or, The Man of the People. An American Drama.

Drama | Walker and Richards | 1852
                Throughout his long career, Simms was regularly concerned with theatre, though drama would always be the genre with which he had the least commercial and critical success.  Norman Maurice; or,The Man of the the People is perhaps Simms’s best dramatic work, though its failings are typical of his theatrical frustrations.  Norman Maurice was a lofty experiment, mixing contemporary politics with common language presented in the format of the Elizabethan tragedy.  Written in strict blank verse, Norman Maurice is a play in which the Constitutional and slavery questions that ...
A Supplement to the Plays of William Shakspeare

A Supplement to the Plays of William Shakspeare

Drama | Geo. F. Cooledge & Brother | 1848
           Well-known as a poet, cultural critic, and novelist, William Gilmore Simms’s undertaking of an edited volume of Shakespearean apocrypha seems, at first, odd and atypical.  Yet, throughout his long career, Simms displayed a real interest in the theatre, attempting, often unsuccessfully, to write and stage plays.  His correspondence also shows a recurring concern with the opinions and evaluations of the great Shakespearean actor Edwin Forrest, for whom Simms wrote several dramas, none of which were ever staged.[1]  Taking into account the author’s deep and abiding interest ...
Benedict Arnold: The Traitor. A Drama, In An Essay

Benedict Arnold: The Traitor. A Drama, In An Essay

Drama | 1863
          Throughout Simms’s career, one of his paramount concerns was the connection between art and history, and the role of the literary artist in conveying history.  While readers see Simms exploring these connections in his Revolutionary Romances, other scattered works of fiction, and the essays in Views and Reviews, one of the writer’s most intriguing presentations of the ability of art to interpret history is in the genre-mixing Benedict Arnold: The Traitor. A Drama, in an Essay.  Critic Miriam J. Shillingsburg regards Benedict Arnold as worthy of commendation for its “thoughtful ...