William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...

          The curation and digitization of the South Caroliniana Library Collection of William Gilmore Simms Physical Materials represents an evolution in the Simms Initiatives mission: in addition to making digitally accessible Simms's literary productions, this collection makes available various materials of iconography and realia that help to situate Simms, and his works, within the personal and historical contexts of the author’s life and times. These materials also provide researchers with intriguing examples of the ways in which Simms’s life and work were preserved by, and influential ...

            Believing it “necessary to the public man, as to the pupil,” Simms undertook The History of South Carolina explicitly for the education of the state’s young people, so as to tell them the vibrant history of the state and the distinguished accomplishments of her leaders.[1]  There is evidence to suggest that Simms was particularly motivated to write such a history in order to provide an historical account of South Carolina and notable South Carolinians, to his eldest child Augusta, who was attending boarding school in Massachusetts in the late 1830s.[2]  Simms seemingly ...

           For Simms, it was in a time “when chivalry was at its lowest condition in Christian Europe,” that the Chevalier Bayard provided the world, “the happiest illustration, in a single great example, of its ancient pride and character,” and “the most admirable model to the generous ambition of the young that we find in all the pages of history.”[1]  Simms wrote The Life of Chevalier Bayard, a biography of the late-medieval French knight, to serve as an archetype of virtue for Americans.  In 1845, Simms had written two articles on Bayard for Southern and Western[2], and ...

            Believing it “necessary to the public man, as to the pupil,” Simms undertook The History of South Carolina explicitly for the education of the state’s young people, so as to tell them the vibrant history of the state and the distinguished accomplishments of her leaders.[1]  There is evidence to suggest that Simms was particularly motivated to write such a history in order to provide an historical account of South Carolina and notable South Carolinians, to his eldest child Augusta, who was attending boarding school in Massachusetts in the late 1830s.[2]  Simms seemingly ...

           The Damsel of Darien was published in two volumes in 1839.  Simms first mentioned the story to James Lawson in a 2 September 1838 letter, revealing that he “wrote during the first part of the summer some 150 pages of a new novel & there it sticks.”[1]  Simms informed Lawson in January of 1839 that Damsel would be published with Lea & Blanchard of Philadelphia, who would pay $1000 for a first edition of 3,000 copies; in the meantime, Simms was busy revising the “numerous errors of history & geography” committed while composing the first volume of the story.[2]  ...

            The Yemassee is historically the best known of the long fictions of William Gilmore Simms.  Set on the South Carolina frontier, Simms’s third book-length fiction treats the Yemassee War of 1715-17, when the Yemassee Indians, with their Spanish and Native American allies, attacked the low country colonial settlements.  Writing in the midst of the removal of natives from east of the Mississippi to the newly created Indian Territory in the future Oklahoma, Simms emphasized such motives for the war as the colonists’ need for land, the conflict between rival European powers ...

          Although written and published last among his eight Revolutionary novels in 1867, Joscelyn should be placed first in the series chronologically, for it lays out the preliminaries and “origins of this partisan conflict.”[1]  Set in the final six months of 1775, the romance depicts the beginnings of the Revolutionary conflict between patriots and loyalists in the backcountries of Georgia and South Carolina. Simms mixed historical figures, such as William Henry Drayton and Thomas Browne, with fictional ones to illustrate the dramatic tensions and implications of the early partisan ...

          Set in September of 1780, Katharine Walton is the third installment of a trilogy that follows The Partisan and Mellichampein covering the Revolution in South Carolina.[1]  While The Partisan and Mellichampe are set in the interior of the Santee and Wateree rivers, Katharine Walton  takes the reader to the city of Charleston in 1780-81 to trace the social world of South Carolina under British occupation.[2]  The city functions narratively as a “unifying center,” according to John C. Guilds, to free Katharine Walton of the “awkward shifts in action and setting ...

          The second of eight novels in the Revolutionary War series, William Gilmore Simms’s Mellichampe was originally published by Harper in 1836, then revised and republished in the Redfield edition in 1854.  The story follows the fictional band of Francis Marion’s partisans in the fall of 1780 after the Battle of Camden, as they engage in guerrilla warfare on the Santee River against loyalist and British forces.  In his advertisement to the first edition, Simms considered Mellichampe a “Historical romance” that accurately conveyed the career of Marion[1] to the “very ...

            Simms biographer John Caldwell Guilds notes that, in 1855, Simms would "enter a four-year period marked not by the exuberance and the surging creative force of the young Simms, but rather by an artistic imagination tempered and refined by maturity and experience."[1] The first major product of this new period was The Forayers, another in Simms's series of revolutionary romances, published by Redfield in 1855.  The Forayers is concerned with the British army's retreat from its outpost at Ninety-Six, and explores the events leading up the Battle of Eutaw Springs in 1781; ...

          The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s series of romances about the Revolutionary War, though the second in the series’ overall chronology.  The Partisan was also the first of a “trilogy” of closely-related novels within Simms’s overall Revolutionary War saga, sharing characters and other links with Mellichampe (1836) and Katherine Walton (1851).[1] The novel deals with the 1780 Battle of Camden and its aftermath, especially the guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion, and other ...

          The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s series of romances about the Revolutionary War, though the second in the series’ overall chronology.  The Partisan was also the first of a “trilogy” of closely-related novels within Simms’s overall Revolutionary War saga, sharing characters and other links with Mellichampe (1836) and Katherine Walton (1851).[1] The novel deals with the 1780 Battle of Camden and its aftermath, especially the guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion, and other ...

            William Gilmore Simms’s third novel of the Revolutionary War (though fifth in order of plot chronology) was originally published in 1841 under the title The Kinsmen.  It became an early offering as part of the Redfield edition under its more popularly-known title The Scout in 1854.  A novel of familial conflict in the context of war and a broad-minded exploration of patriotism across classes, The Scout opens shortly after the Battle of Hobkirk’s Hill (aka the Second Battle of Camden)[1] in May 1781.  The action ends with the British departure from the Star Fort at Ninety ...

            William Gilmore Simms’s third novel of the Revolutionary War (though fifth in order of plot chronology) was originally published in 1841 under the title The Kinsmen.  It became an early offering as part of the Redfield edition under its more popularly-known title The Scout in 1854.  A novel of familial conflict in the context of war and a broad-minded exploration of patriotism across classes, The Scout opens shortly after the Battle of Hobkirk’s Hill (aka the Second Battle of Camden)[1] in May 1781.  The action ends with the British departure from the Star Fort at Ninety ...

            Early in the morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon P. Sharp, and stabbed him to death.  The murder was orchestrated to avenge the honor of Anna Cook[1], Beauchamp’s wife, who as a single woman had been seduced, impregnated, and abandoned by Sharp[2].  The event was a national sensation immediately following its discovery and Beauchamp’s capture days later.  Following Cook and Beauchamp’s failed joint suicide attempt and the latter’s subsequent execution, ...

            Early in the morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon P. Sharp, and stabbed him to death.  The murder was orchestrated to avenge the honor of Anna Cook[1], Beauchamp’s wife, who as a single woman had been seduced, impregnated, and abandoned by Sharp[2].  The event was a national sensation immediately following its discovery and Beauchamp’s capture days later.  Following Cook and Beauchamp’s failed joint suicide attempt and the latter’s subsequent execution, ...