Wlliam Gilmore Simms
Subject time periods
Spanish Colonial HistoryAncient HistoryFrench Colonial History
Medieval HistoryEarly Modern HistoryBritish Colonial History
Revolutionary HistoryEra of the Early RepublicAntebellum Period
Civil War and Early Reconstruction
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    Mellichampe: A Legend of the Santee

    Mellichampe: A Legend of the Santee

    Revolutionary History | Novel (Romance) | Harper & Brothers | 1836
              The second of eight novels in the Revolutionary War series, William Gilmore Simms’s Mellichampe was originally published by Harper in 1836, then revised and republished in the Redfield edition in 1854.  The story follows the fictional band of Francis Marion’s partisans in the fall of 1780 after the Battle of Camden, as they engage in guerrilla warfare on the Santee River against loyalist and British forces.  In his advertisement to the first edition, Simms considered Mellichampe a “Historical romance” that accurately conveyed the career of Marion[1] to the “very ...
    The Partisan:  A Tale of the Revolution

    The Partisan: A Tale of the Revolution

    Revolutionary History | Novel (Romance) | Harper & Brothers | 1835
              The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s series of romances about the Revolutionary War, though the second in the series’ overall chronology.  The Partisan was also the first of a “trilogy” of closely-related novels within Simms’s overall Revolutionary War saga, sharing characters and other links with Mellichampe (1836) and Katherine Walton (1851).[1] The novel deals with the 1780 Battle of Camden and its aftermath, especially the guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion, and other ...
    The Partisan: A Romance of the Revolution

    The Partisan: A Romance of the Revolution

    Revolutionary History | Novel (Romance) | Redfield | 1854
              The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s series of romances about the Revolutionary War, though the second in the series’ overall chronology.  The Partisan was also the first of a “trilogy” of closely-related novels within Simms’s overall Revolutionary War saga, sharing characters and other links with Mellichampe (1836) and Katherine Walton (1851).[1] The novel deals with the 1780 Battle of Camden and its aftermath, especially the guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion, and other ...
    The Sword and the Distaff; or, "Fair, Fat and Forty," A Story of the South, at the Close of Revolution

    The Sword and the Distaff; or, "Fair, Fat and Forty," A Story of the South, at the Close of Revolution

    Revolutionary History | Novel (Romance) | Walker, Richards & Co. | 1852
           Written in the “midst of one of the most productive creative surges in his career,”[1] Woodcraft; or, Hawks About the Dovecote: A Story of the South at the Close of the Revolution makes the most serious and sustained claim as Simms’s masterpiece in the novel form.[2]  The fifth novel composed in Simms’s saga of the American Revolution, it is set during the chaotic close and aftermath of the war.  This makes it the last (eighth) Revolutionary Romance in terms of chronological action. As the work opens, the British are evacuating Charleston in December 1782. Then the novel shifts ...
    Woodcraft; or, Hawks About the Dovecote

    Woodcraft; or, Hawks About the Dovecote

    Revolutionary History | Novel (Romance) | Redfield | 1854
           Written in the “midst of one of the most productive creative surges in his career,”[1] Woodcraft; or, Hawks About the Dovecote: A Story of the South at the Close of the Revolution makes the most serious and sustained claim as Simms’s masterpiece in the novel form.[2]  The fifth novel composed in Simms’s saga of the American Revolution, it is set during the chaotic close and aftermath of the war.  This makes it the last (eighth) Revolutionary Romance in terms of chronological action. As the work opens, the British are evacuating Charleston in December 1782. Then the novel shifts ...