By the late 1830s, Simms’s reputation and fame were on a steady rise; on the strength of romances like The Yemassee and The Partisan, Simms was widely regarded as one of antebellum America’s finest writers.  At this point, the always self-conscious novelist made one of the more curious decisions of his literary career by reworking a piece of verse-drama juvenilia into the novel Pelayo:  A Story of the Goth, published in two volumes by Harper & Brothers of New York in 1838.  In writing Pelayo, Simms left the romantic epics of America’s history and frontier on which ...

           For Simms, it was in a time “when chivalry was at its lowest condition in Christian Europe,” that the Chevalier Bayard provided the world, “the happiest illustration, in a single great example, of its ancient pride and character,” and “the most admirable model to the generous ambition of the young that we find in all the pages of history.”[1]  Simms wrote The Life of Chevalier Bayard, a biography of the late-medieval French knight, to serve as an archetype of virtue for Americans.  In 1845, Simms had written two articles on Bayard for Southern and Western[2], and ...

            The Yemassee is historically the best known of the long fictions of William Gilmore Simms.  Set on the South Carolina frontier, Simms’s third book-length fiction treats the Yemassee War of 1715-17, when the Yemassee Indians, with their Spanish and Native American allies, attacked the low country colonial settlements.  Writing in the midst of the removal of natives from east of the Mississippi to the newly created Indian Territory in the future Oklahoma, Simms emphasized such motives for the war as the colonists’ need for land, the conflict between rival European powers ...

          The second of eight novels in the Revolutionary War series, William Gilmore Simms’s Mellichampe was originally published by Harper in 1836, then revised and republished in the Redfield edition in 1854.  The story follows the fictional band of Francis Marion’s partisans in the fall of 1780 after the Battle of Camden, as they engage in guerrilla warfare on the Santee River against loyalist and British forces.  In his advertisement to the first edition, Simms considered Mellichampe a “Historical romance” that accurately conveyed the career of Marion[1] to the “very ...

          The Partisan: A Tale of the Revolution (1835) was the first composed of Simms’s series of romances about the Revolutionary War, though the second in the series’ overall chronology.  The Partisan was also the first of a “trilogy” of closely-related novels within Simms’s overall Revolutionary War saga, sharing characters and other links with Mellichampe (1836) and Katherine Walton (1851).[1] The novel deals with the 1780 Battle of Camden and its aftermath, especially the guerilla warfare tactics employed by “The Swamp Fox,” General Francis Marion, and other ...

          Guy Rivers was published by Harper & Brothers in July 1834 as the first of Simms’s many fictional frontier writings known as the Border Romance series. According to the author, these works were “meant to illustrate the border & domestic history of the South.”[1]  Writing to James Lawson in December 1833, Simms described the novel as “a tale of Georgia—a tale of the miners—of a frontier and wild people, and the events are precisely such as may occur among a people & in a region of that character.”[2]  Mary Ann Wimsatt notes that Guy Rivers established ...

                Charleston: The Palmetto City is a 1976 pamphlet republication of an essay of the same name, originally published anonymously by Simms in Harper’s New Monthly Magazine in June 1857.[1]  The pamphlet edition of this essay is a facsimile of the original Harper’s piece.  In the essay, a rare example of the author’s travel writing, Simms focused on the architecture and geography of his native city, descriptions that are complimented by detailed illustrations of many of the most significant of Charleston’s buildings and memorials.[2]  While a minor work, the essay ...

           One of the most important works in Simms’s development as a writer, Martin Faber has a long and intriguing publication history.  Originally published as a novella by J. & J. Harper of New York in 1833, it was revised and expanded for re-publication, alongside nine other short stories and a poem, as Martin Faber, the Story of a Criminal, and Other Tales, issued by Harper & Brothers in 1837.[1]  Simms biographer John Caldwell Guilds notes the significance of Martin Faber for the author, as its writing and Simms’s hopes for it, seemed to seriously alter his life in his late ...