Early in the morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon P. Sharp, and stabbed him to death.  The murder was orchestrated to avenge the honor of Anna Cook[1], Beauchamp’s wife, who as a single woman had been seduced, impregnated, and abandoned by Sharp[2].  The event was a national sensation immediately following its discovery and Beauchamp’s capture days later.  Following Cook and Beauchamp’s failed joint suicide attempt and the latter’s subsequent execution, ...

          In The Major Fiction of William Gilmore Simms, Mary Ann Wimsatt argues that Border Beagles, the sequel to the scandalous Richard Hurdis, shows Simms as continuing to explore the contentious relationship between the older, civilized tidewater south and the wild trans-mountain frontier.[1]  While thus continuing a theme begun with Guy Rivers and Richard Hurdis, Border Beagles saw Simms decidedly scaling back the violence found in those two books, especially the latter.  Here, the author’s presentation of the chaos and dangers of the frontier is tempered by humor, with ...

            Early in the morning of 7 November 1825, in the town of Frankfort, KY, a young lawyer named Jereboam O. Beauchamp crept to the house of the state attorney general, Solomon P. Sharp, and stabbed him to death.  The murder was orchestrated to avenge the honor of Anna Cook[1], Beauchamp’s wife, who as a single woman had been seduced, impregnated, and abandoned by Sharp[2].  The event was a national sensation immediately following its discovery and Beauchamp’s capture days later.  Following Cook and Beauchamp’s failed joint suicide attempt and the latter’s subsequent execution, ...

            Building out of his early experiences with writing in the psychological gothic mode in such texts as Martin Faber (1833) and Carl Werner (1838) and anticipating his later work Castle Dismal (1844), William Gilmore Simms published Confesssion; or, The Blind Heart in 1841.  Coming at the front of what many consider to be the author’s most productive period, this novel is the extended confession of Edward Clifford who is orphaned at a young age and sent to be reared by his aunt and uncle in Charleston.  Rising above his foster parents’ scorn, Clifford becomes a lawyer, a prominent citizen, ...

            William Gilmore Simms’s ultimate ambition for his collected poetical works titled Poems: Descriptive, Dramatic, Legendary, and Contemplative was limited to posterity.  Unlike most of his literary efforts, it was not a money-making operation.  He wrote his friend B.F. Perry in January 1852, “my hope & expectation are not profit.  I seek only to put myself fully on record for the future.”  Remarkably, Simms went on to explain this bid for future acclaim:  “I regard my career as pretty well over, and wish now to revise and make myself as worthy as possible in the eyes ...

            William Gilmore Simms assembled his 1854 Southward Ho!  A Spell of Sunshine largely out of his various periodical fiction publications, many from the late 1840s.  Often categorized as one of the author's novels, the work is organized as a collection of short stories unified by the central narrative conceit of a group of storytelling passengers on a sea voyage from New York to Charleston.[1]  The travelers pass the time by sharing stories of their homes or other familiar (usually southern) locales.  Because of this organization, John C. Guilds says the text exhibits ...

            Believing it “necessary to the public man, as to the pupil,” Simms undertook The History of South Carolina explicitly for the education of the state’s young people, so as to tell them the vibrant history of the state and the distinguished accomplishments of her leaders.[1]  There is evidence to suggest that Simms was particularly motivated to write such a history in order to provide an historical account of South Carolina and notable South Carolinians, to his eldest child Augusta, who was attending boarding school in Massachusetts in the late 1830s.[2]  Simms seemingly ...

                Originally published by Wiley and Putnam in two volumes—the first series in October 1845 and the second in February 1846—for the Library of American Books series, The Wigwam and the Cabin is a collection of border stories about the southwestern frontier.  Simms best summarized the collection in a dedicatory letter to his father-in-law for the 1856 Redfield edition: “One word for the material of these legends.  It is local, sectional—and to be national in literature, one must needs be sectional.  No one mind can fully or fairly illustrate the characteristics of any great ...