William Gilmore Simms published Atalantis.  A Story of the Sea: In Three Parts in the fall of 1832.  While Simms’s name does not appear anywhere on or in the text, it is unlikely that he sought any type of anonymity in its publication.  Within weeks of its appearing in print a reviewer in the Charleston Courier announced, “It is attributed to the pen of our fellow-townsman, William Gilmore Simms, Esq.…”[1]  Even without such prompting anyone familiar with Simms’s work would have quickly recognized his authorship, because the opening sonnet was one that he had previously ...

           Carl Werner was published in December 1838 by George Adlard of New York.[1]  In the author’s advertisement, Simms classified the collected stories as “moral imaginative” tales, a form of allegory illuminating the “strifes between the rival moral principles of good and evil.”  Such stories, according to John C. Guilds, may often exploit supernatural elements, although it is not necessary.  Simms attributed the origin of the title story to “an ancient monkish legend,” as he set “Carl Werner” in the deepest parts of the German forest where the narrator and his friend ...

            A gothic tale of ghosts, infidelity, murder, and love, Castle Dismal follows the protagonist Ned Clifton, a “veteran bachelor” who fears the bonds of marriage, in his holiday visit to the home of married friends.  Set during the Christmas season in South Carolina, Simms’s story illustrates the southern custom of bringing together family around a table to feast; and while Clifton eventually marries Elizabeth Singleton—freeing him from the “melancholy dependencies of bachelorism”—Simms subverts naïve nineteenth-century notions of marriage and domesticity.[1]  Marked ...

           One of the most important works in Simms’s development as a writer, Martin Faber has a long and intriguing publication history.  Originally published as a novella by J. & J. Harper of New York in 1833, it was revised and expanded for re-publication, alongside nine other short stories and a poem, as Martin Faber, the Story of a Criminal, and Other Tales, issued by Harper & Brothers in 1837.[1]  Simms biographer John Caldwell Guilds notes the significance of Martin Faber for the author, as its writing and Simms’s hopes for it, seemed to seriously alter his life in his late ...

           One of the most important works in Simms’s development as a writer, Martin Faber has a long and intriguing publication history.  Originally published as a novella by J. & J. Harper of New York in 1833, it was revised and expanded for re-publication, alongside nine other short stories and a poem, as Martin Faber, the Story of a Criminal, and Other Tales, issued by Harper & Brothers in 1837.[1]  Simms biographer John Caldwell Guilds notes the significance of Martin Faber for the author, as its writing and Simms’s hopes for it, seemed to seriously alter his life in his late ...