Wlliam Gilmore Simms
Refined by:
  • Tag: Fountain of Youth (x)
Refine by: Refine by people: Refine by location:
Donna Florida.  Canto IV (Page 283)

Donna Florida. Canto IV (Page 283)

Poetry | 1843-05
          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
Donna Florida.  Canto IV (Page 284)

Donna Florida. Canto IV (Page 284)

Poetry | 1843-05
          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
Donna Florida.  Canto IV (Page 285)

Donna Florida. Canto IV (Page 285)

Poetry | 1843-05
          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
Donna Florida.  Canto IV (Page 286)

Donna Florida. Canto IV (Page 286)

Poetry | 1843-05
          William Gilmore Simms's collection of scrapbooks represents one of the most significant, but least accessible, resources for the study of the writer. Housed as a part of the Charles Carroll Simms collection in the South Caroliniana Library at the University of South Carolina, there are nine volumes of scrapbooks, each comprised of works of numerous genres from throughout Simms's career.[1] While the majority of the included works are Simms's own, the scrapbooks also features writings by others, as well as works of uncertain authorship. Prior to digitizing these volumes, access to them ...
Donna Florida. A Tale.

Donna Florida. A Tale.

Poetry | Burges and James | 1843
            Donna Florida is a narrative poem dealing with Ponce de Leon's exploits in what would later become Spanish Florida.  Before full publication in 1843, portions of the poem appeared in The Boston Monthly in 1841 and in the February-May 1843 issues of the Magnolia.[1]  Simms more than likely paid for the publication of this work in book form himself, with the volume being issued in 1843 by Burges and James in Charleston, SC.[2] Simms described the work as not “published, but presented for private distribution.”[3]  Indeed, according to a 29 June 1843 letter that Simms sent ...
Page 1

Page 1

Burges and James | 1843
            Donna Florida is a narrative poem dealing with Ponce de Leon's exploits in what would later become Spanish Florida.  Before full publication in 1843, portions of the poem appeared in The Boston Monthly in 1841 and in the February-May 1843 issues of the Magnolia.[1]  Simms more than likely paid for the publication of this work in book form himself, with the volume being issued in 1843 by Burges and James in Charleston, SC.[2] Simms described the work as not “published, but presented for private distribution.”[3]  Indeed, according to a 29 June 1843 letter that Simms sent ...