William Gilmore Simms’s ultimate ambition for his
collected poetical works titled Poems:
Descriptive, Dramatic, Legendary, and Contemplative was limited to
posterity. Unlike most of his literary
efforts, it was not a money-making operation.
He wrote his friend B.F. Perry in January 1852, “my hope &
expectation are not profit. I seek only to put myself fully on record
for the future.” Remarkably, Simms
went on to explain this bid for future acclaim: “I regard my career as pretty well over, and
wish now to revise and make myself as worthy as possible in the eyes of future
criticism.” To this end he collected a large swath of his
previously published poetry into a single, two-volume collection. Poems
thus contains a broad selection of the author’s verse works, both those that
had appeared periodically and those that had seen prior book publication. The latter group includes his verse plays Norman Maurice and Atalantis, his ode to Charleston’s Magnolia Cemetery City of the Silent, and his collection
of nature poetry The Cassique of Accabee. Perhaps most significant, the collection also
contains in its entirety (and dominating the second volume of the collection) Southern Passages and Pictures, the
collection of lyric poetry Simms himself often judged his best work. Because of the heft of this latter work, as
well as the pervading atmosphere of the southern character throughout the
collection as a whole, John Russell recommended the planned volumes “peculiarly
to the South, as illustrating its history—its traditions and legends—its
scenery and its sentiments.” In this way, Poems: Descriptive, Dramatic, Legendary, and Contemplative
continued Simms’s increasing interest in linking southern patriotism, as well
as sentiment, to his poetics.
Simms first mentioned his idea for a collection of his
poetry in a 9 June 1851 letter to his friend James Henry Hammond. Originally intending to publish the
collection in Charleston, through John Russell, Simms spent the next 18 months
soliciting advance subscriptions for the work.
These efforts were apparently not as successful as initially hoped, for
by January 1853 he had shipped the first volume of the collection to New York
for eventual publication by Redfield, followed shortly thereafter by the second. The volumes were set in type by 15 May 1853,
and by fall of that year Simms wrote to Hammond that he expected the work to be
published in short order. The title page of the published work indicates
an 1853 publication date; however, in a letter to James Chesnut dated 12
January 1854, Simms noted that the volumes “are now published & ready for
distribution.” This could imply a publication date as late
as 1854. Simms continued to revise his
vision for this collection beyond its initial publication, despite a final
collection of poetry, Simms’s Poems Areytos,
or Songs and Ballads of the South with other Poems, issuing in 1860. In two letters from 1867 to Evert Duyckinck,
Simms described his plans to expand Poems:
Descriptive, Dramatic, Legendary, and Contemplative to a three or four
volume collection of his complete verse and dramatic endeavors. These plans never came to fruition.
The two-volume 1853 edition features green boards and
spine with box border stamping on front and back. The book one spine features gilt
stamped: SIMMS' POETICAL WORKS | [rule]
| VOL. I. | [rule] | [Graphic of vine with leaf and bud] | [flat double un-gilt
rule] | REDFIELD | [flat double un-gilt rule].
The book two spine features the same with the exception of the volume
number. The title page for volume one
reads: POEMS | DESCRIPTIVE DRAMATIC,
LEGENDARY | AND | CONTEMPLATIVE | BY | WILLIAM GILMORE SIMMS, ESQ | IN TWO
VOLUMES | VOL. I | I. NORMAN MAURICE, A TRAGEDY | II. ATALANTIS, A TALE OF THE
SEA | III. TALES AND TRADITIONS OF THE SOUTH | IV. THE CITY OF THE SILENT |
[Circle formed of snake biting its own tail with burning lamp in the center] |
REDFIELD | 110 &112 NASSAU-STREET, NEW YORK. | 1853; the volume two title
page reads: POEMS | DESCRIPTIVE,
DRAMATIC, LEGENDARY | AND | CONTEMPLATIVE | BY | WILLIAM GILMORE SIMMS, ESQ |
IN TWO VOLUMES | VOL. II | I. SOUTHERN PASSAGES AND PICTURES | II. HISTORICAL
AND DRAMATIC SKETCHES | III. SCRIPTURE LEGENDS | IV. FRANCESCA DA RIMINI |
[Circle formed of snake biting its own tail with burning lamp in the center] |
REDFIELD | 110 &112 NASSAU-STREET, NEW YORK. | 1853. Poems:
Descriptive, Dramatic, Legendary, and Contemplative was not republished in
Simms’s lifetime, but the majority of its contents were published prior to
their inclusion in this format.